Giveaway Updated: Replaced by Version 1.1.3Year
Of Release : 2021 Version:
1.1.3 Developer: Tracktion Software & Dawesome Music
Developer Site: tracktion
Platform: Intel only
Interface Language: English
Tablet: Program Treated (Put and Work) | MORiA
System Requirements: macOS X 10.11 El Capitan
or Later
Plugin Formats: AUi, VST3i Tested on new MacOS 12 Monterey
Description: Gloomy. Bright. Organic. Rich. Inspiring. Quick. Visual. Mystic. Modulated.
Visual synthesizer.
Abyss is a visual synthesizer with character and a bit of fabulous dust. It features dark
vibrating drones, vibrant cinematic pads, and rich, evolving textures. With Abyss, you’ll
instantly find inspiration for your music and sound projects!
Nuanced Tools – A color approach provides an easy way to create complex sounds. This is
combined with a powerful and easy-to-use modulation system. Tune, distort, modulate your
sound to sound mad, or create familiar
instruments Tone colors – Whether we describe sounds or colors – we use the same words
such as warm, cold, dark, soft or energetic. It is no accident that we call tone-color by the
same words. In Abyss, different sounds are represented by different colors – this is a
completely new way of creating sounds.
Rich and deep sound – The Abyss sound engine combines the rich and deep textures of
natural sounds with the effective flexibility of classic synthesizers. Sure, there’s a virtual
analog filter, but there’s also controls that allow you to shape tone colors in unheard of ways.
Discover new sound possibilities!
Sound Surfing – Going through endless lists of sounds with strange names isn’t always fun.
In Abyss, you can simply navigate the panel with over 2,000 color shades. Find your sound
faster than ever.
Variation that makes sounds interesting – By placing color tones on a gradient, you create a
palette of timbre variations that becomes the basis of your patch. Whether you’re mostly
using presets or being an experienced sound engineer, with Abyss you just follow your
intuition to create your own signature sound.
More than 2000 sound colours as building blocks for patches.
Unique “sound surfing” for selecting sound colours.
Each sound colour can be modified with spectral processing.
Noise parameter adds “musical noise” – specifically based on and tuned to the selected
Virtual analog filter with resonance.
Four sound effects: Shimmer, Delay, Reverb and Phaser.
Optional brick wall limiter.
Arbitrary modulation with 13 sources and 23 destinations.
2 ADSRs, 3 LFOs.
LFO supports free drawing of curve.
Two of the LFOs can be used as step sequencer.
Unique “stereo” modifier that allows to skew most parameters differently for left and right
Modulation parameters can be modulated themselves (eg LFO-speed).
Easy pitch snap function to stay within scale.
MPE support.
Scalable, responsive UI.
More than 130 carefully crafted patches.
